She Walks in Beauty by Lord Byron :: She Walks in Beauty Poem Poetry

She Walks in Beauty by schoolmaster Byron on that point is a spectacular use of assonance in the first rime here- look at the rime words night, skies, bright, eyes ... analogous vowel throughout ... so the whole stanza rimes ababab but assonates aaaaaa this kind of double-effect was extremely prized by keats, shelley and Byron, every last(predicate) of whom took the technical side of writing poetry extrememly seriously.Lord Byron describes a night (associated with temperamentalness) with bright stars (light) and compares this woman to that night. She brings together these opposites in her beaut and creates a tender light. Not a light like the daytime, since he describes that as gaudy (showy in a vulgar way), but a light that heaven doesnt even honor the daytime with. Byrons diction in this song is quite metaphorical. She walks in beauty, like the night / Of cloudless climes and comet-like skies ( absorbs 1-2 ). His use of imagery has allowed us to visualize an atmosphere th at surrounds this woman. The imagery he uses also brings together two opposing forces, darkness and light which flora quite well together as one united force. We rat visualize a dark sky filled bright stars, a perfect picture for an ideal evening, which can be compared to his picture of a perfect woman. This woman, as well as the night, contains opposite features within her. And all that s best of dark and bright / Meet in her diorama and her eyes ( nisuss 3-4 ). The joining of these opposite forces can be associated with internal aspects of this woman. Although this poem begins with a description of a woman walking, there are not any images of her body. Byron continuously refers to her hair and face. These lines work well because they employ an enjambed line as well as a metrical substitution a momentary change in the regular meter of the poem. When poets enjamb a line and use a metrical substitution at the beginning of the undermentioned line, they are calling attention to so mething that is a key to a poem. present Byron substitutes a trochaic foot (an accented syllable followed by an unaccented one) for the iambic foot at the start of the fourth line. Why? Because he is place particular emphasis on that word meet. He is emphasizing that the queer feature of this woman is her ability to contain opposites within her the best of dark and bright / meet in her.