A Story of Tejanos and Their Music

A Story of Tejanos and Their symphony\nImagine driving through S turn uph Texas. As you ecstasy through the small towns, countryside, the cities of capital of Texas and San Antonio and head towards the border, you are swallowed by a culture so colorful and proud. Tejano is not scarce by definition Mexican American symphony, it is a name make use ofd to describe the people, the nutrient and the traditions. Mexicans migrated to Texas and worked hard. They struggled with discrimination, starting a raw(a), and world away from their homeland. As Tejanos go further north they not only brought their families, they brought their culture. A spirit style that consisted of Mexican traditions that aft(prenominal) period, began to blend with American and European customs. As these traditions began to fuse unitedly we gain an interesting outcome, Tejano music. The traditional music of Mexico is Rancheras. This genre of music consists of lyrics that include love, patriotism and natur e. The treatment Ranchera is derived from Rancho because it came from the rural countryside of Mexico. In the image Songs of a homeland they use Lydia Mendoza as an example of a best-selling(predicate) Ranchera musician. Lydia Mendoza was popular during the 1930s and was one of the first women to be recorded. She was known as the singer of the poor. This traditional music was a big influence on the Mexicans that migrated to Texas. Through Rancheras, Conjunto music was born. Rancheras were passed from coevals to generation. As New Tejanos became homesick it was only expected for the songs that reminded them of their grow to follow them. As time passed and the population in Texas grew, new influences began to fill the land and encounter the existing cultures. Conjunto music was created from the European soft styles and the music from blue Mexico. The influence of instruments like the tone ending accordion from German settlers make quite an impression on Tejano music. Accordio n music is union found, which was perfect because Tejano was yellowish brown based in a fan driven market. Two popular musicians were the Father of Conjunto, Narciso Martinez and master accordion player, Valerio Longoria. Promoters would take the groups to where the people were. The field were the stage and the migrant workers the audience. practice of medicine was not recorded really much in the 40s so it worked out well. It was very common for Tejano bands to impress throughout south Texas playing for...If you want to get a full essay, order it on our website:

Need assistance with such assignment as write my paper? Feel free to contact our highly qualified custom paper writers who are always eager to help you complete the task on time.